The honesty in the words really grabs your attention because once again, it’s all relatable. It’s such a powerful song and I’m beyond addicted to it. When Hurt was released as the first single, I was in a frenzy.
So why not let it out in the sheets? Kudos to the artists for keeping the mood passionate and burning up with sensuality. Couples often makeup after an argument by releasing their tension in the bedroom. The transition is brilliant because it’s realistic.
I think it’s a great decision to put Roller Coaster as the album opener because it emphasizes on the focus of where the journey leads, starting with how complicated love can be at times and you wonder what happens next.Īnd of course, it’s time to Sweat. Neither is overpowering the other and that’s what makes a duet effortless. I love the harmonies, love how well they flow together. It’s difficult to put into words just how moving this song is. There’s something very intense about this song that trickles down my spine and have my heart pumping. Album DescriptionThe moment Roller Coaster kicked in, my emotions were all over the place. See More Your browser does not support the audio element. The romantically content won't want to go anywhere near it. This is a solid addition to both artists' discographies. While most of these songs are ballads, Babyface rarely pulls out his acoustic guitar - a saving grace for those who tired of hearing it throughout the '90s.
"Reunited" is a blissful ballad, but it's followed by the embittered "I'd Rather Be Broke," where Braxton asserts, "Just because your money's strong don't mean you can do the things that you do." Babyface is civil and clear-headed on "I Hope That You're Okay," claiming he "can't go through the motions anymore," but Braxton follows with a solo spotlight, "I Wish," that seems drawn from a different situation: "I hope she creeps on you with somebody who is 22/I swear to God, I'm gonna be laughing at you every day." As a narrative, the album can be hard to follow, but it's not as if breakups have a simple arc with a steady, unwavering decline. Either that, or the relationship is extremely up and down the singers sometimes sound as if they are addressing ex-lovers from other relationships. The sequence of songs plays out like scenes on shuffle. "Sweat," a slinking groove, is like the "Love During War" to Robin Thicke's "Love After War," while "Heart Attack," near the album's end, is a retro-disco move that seems more like a throw-in than a crucial part of the album.
The duo don't seem nearly as connected to them. The emphasis is on divorce, indicated from the very beginning on "Roller Coaster," where Babyface enters with "Today I got so mad at you, it's like I couldn't control myself." The set finishes with the bittersweet "The D Word," seemingly a Sade homage, in which Babyface confesses "You still own my heart, forever and ever and ever." Moments that deviate from issues of romantic strife are few. Both endured broken marriages, and presumably it's those experiences that inform the material here - a succinct collection of 11 songs, eight of which are duets. On Love, Marriage & Divorce, Toni Braxton and Babyface, creative partners going back to the early '90s, rekindle their musical relationship.
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